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Here we can get book descriptions and book summaries of Best Nepali Novel, Nepali Story Book, business, friction and Motivational, and many more, you can even download pdf of Ebooks of Nepali books. Following the list, books are the most popular & top selling Nepali Books in the market. However, if you want to buy books you can order online aswell. There are many reasons to read regularly. Above all, it keeps you stress-free. If you read this book, after that please comment below.
Author: Laxmi Prasad Devkota
Publisher: Sajha Prakashan
First Publish Year: 2008 BS
Language: Nepali
Genre: Poetry
In this book the author has interpreted the epic love story of the character Muna and Madan. This is one of the most selling Nepali books of all time in Nepal. The author has shown the love between them after their distance between them because of foreign employment in which Madan has gone to the foreign country of Job with his friends and he was left dead in the way by his friends.
This is one of the very best books of Laxmi Prasad Devkota because he told before his death that you can burn all of his creation after his death but leave this book. So this is the evergreen book of all time.
Publisher: Gita Press
First Publish Year: 2007
Genre: Literature
Truly speaking, none has power to describe in words the glory of the Gita, for it is a book containing highest esteric doctrines. It is the essence of the vedas; its language is so sweet and simple that man can easily understand it after a little practice; but the thoughts are so deep that none can arrive at their end even after constant study through out a life-time. Evreyday they exhibit new facets of Truth, therefore they remain ever fresh and new.
Author: Maharishi Vedavyasa
Language: Nepali
Genre: Literature
The Mahabharata is a truly timeless epic, with something to offer readers of all ages and backgrounds.
Here is one of my favorite quotes from the Mahabharata book:
“The mind is everything. What you think, you become.”
This quote reminds us that our thoughts have a powerful impact on our lives. If we want to achieve our goals and live our best lives, we must first learn to control our minds and cultivate positive thoughts. For more inspiration like this please download and read this book.
Publisher: Gita Press
First Publish Year: 2007
Genre: Literature
The Bhagavad Gita , often referred to as simply the Gita, is a 700-verse Hindu scripture in Sanskrit that is part of the Hindu epic Mahabharata . The Bhagavad Gita is a Bhagavata explanation of the Purusha Sukta and the Purushamedha Srauta yajna described in the Satapatha Brahmana.
Author: Bishweshwar Prasad Koirala
Publisher: Sajha Prakashan
First Publish Year: 2010 BS
Language: Nepali
Genre: Novel
B P Koirala, a former Prime Minister of Nepal is about the painful complications that arise in a man-woman relationship. The story is about the powerful attraction that exists between a Brahmin boy “Somdutta” and an ordinary Kirati girl “Sumnima”. His unexpressed love for Sumnima haunts Somdutta till the end of his life. He comes to think that the sacred education, which was supposed to be a ladder to salvation and austerity, kept him from true happiness and actually experiencing life. He realizes that the false line drawn by religion separates the community into castes, classes and many other divisions. The novel depicts how the restriction of human desires and physical needs can all but ruin a person’s life.
Author: Bishweshwar Prasad Koirala
Publisher: Sajha Prakashan
First Publish Year: 2073 BS
Language: Nepali
Genre: Novel
B P Koirala, a former Prime Minister of Nepal. The book Doshi Chasma explores the psychological aspect of its protagonist.
Author: Bishweshwar Prasad Koirala
Publisher: Sajha Prakashan
First Publish Year: 2066 BS
Language: Nepali
Genre: Novel
B P Koirala, a former Prime Minister of Nepal. The book “Teen Ghumti” is the story of a Newar girl of Kathmandu Indramaya (Garima Panta), who falls in love with Pitambar (Dhruba Dutta), from a Brahmin family.
Author: Bishweshwar Prasad Koirala
Publisher: Sajha Prakashan
First Publish Year: 2049 BS
Language: Nepali
Genre: Novel
B P Koirala, a former Prime Minister of Nepal. Book “Hitler ra Yahudee” is the author has explained about the painful experience in prison during those struggling periods. Similarly, through this book, the author has even mentioned about the Nepali society of that time.
Author: Laxmi Prasad Devkota
Publisher: Sajha Prakashan
First Publish Year: 1945 BS
Language: Nepali
Genre: Poetry
Mahakavi Laxmi Prasad Devkota wrote Shakuntala, his first epic poem and also the first “Mahakavya” (epic poem) written in the Nepali language, in a mere three months. Published in 1945, Shakuntala is a voluminous work in 24 cantos based on Kālidāsa’s famous Sanskrit play Abhijñānaśākuntalam. Shakuntala demonstrates Devkota’s mastery of Sanskrit meter and diction which he incorporated heavily while working primarily in Nepali. According to the late scholar and translator of Devkota, David Rubin, Shakuntala is among his greatest accomplishments.
Author: Ashish Jung
Publisher: Gorkha Publications
First Publish Year: 2020 AD
Language: Nepali
Genre: Novel
This book is a must-read for characters who are forced to live a depressing life in order to impress others. Understand that ignorance makes the mind as heavy as a rhinoceros, and knowledge makes it lighter than a balloon. I can’t change you. You change yourself. If the same people are cheating on you again and again, you are to blame. Because, you are irresponsible, careless and very stupid and you are repeating the same mistake over and over again.
Author: B.P. Koirala
Language: Nepali
Genre: Literature
Published: January 1, 2011 by साझा प्रकाशन
The stories of Sannani, Writer Baje, Ek Raat, and Shwet Bhairavi.
Author: Roshan Dahal
Publisher: Panch Pokhari Prakashan
First Publish Year: 2075 BS
Language: Nepali
Genre: Philosophy
No one should be friends with someone with less or more competition. Friendship with a less prestigious person is always sad. Such people always hope for help and think only about taking advantage. They will not be able to help you when you are in trouble. If you have a friendship with a person who is more prestigious, you start to compare yourself with that person. And the feeling of jealousy arises inside you. That’s why friendship should be with people at your level.
Author: Subin Bhattarai
Language: Nepali language
Publisher: FinePrint
Pages: 247
ISBN: 9789937856386
Summer Love Book Summary is a heart-touching romantic love story and one of the most selling Nepali books. A romantic intercaste love Story of Saya and Atit.
Author: Rabindra Bhattarai
Qualification: MA in Finances & Investment
Work: Teacher at Sankar Dev Campus for more than 13 Years.
He is a share expert and travels to different parts of Nepal to provide training. He has written more than 10 share related books
Author: Ramesh Prabhat
Address: Mangalpur-1, Chitwan
Language: Nepali
Genre: Haiku Sangraha
Author: Hridaya Chandra Singh Pradhan
Publisher: Phoenix Books
First Publish Year: 2075 BS
Language: Nepali
Genre: Novel
In this book the author has shown the problem of poor Newar family of Kathmandu which is based on the real story. This novel has inaugurated the farmers’ problems and has also highlighted the importance of interracial marriage. In our society, caste system is buried. People here are not able to get rid of the enclosed area of territorialism and ethnicity. The novel has been presented by breaking this compressed circle. The main characters of this novel are standing as anti-social rites and traditions. Therefore, Shivwanara has been married to his brother Hushanara for marrying a woman Tamangi, while marrying Tarai Ram Khekhvan Tarai of Terai Nainthuku, Raut has formed an interconnected marriage.
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Here I am going to provide you guys the “Top Eleven counter Formation with Tactics”. Following Red hilighted text is opponent formation and the green hilighted text is the formation that you should use to beat opponent.
Subscribe my YouTube Channel For More Videos about Top Eleven.
N=Narrow
W=Wide
F=Forward
For example, 3N-5-2F is
2Forwards (slightly behind Stricker position)
5 in the midfield (ML-MC-MC-MC-MR)
3DC
For example, 3W-3N-2W-1 is
1 Stricker
2 Wide players (AML-AMR)
3 MC
DL-DC-DR
>>comment me down below if any confusion<<
| SL NO | OPPONENT’S FORMATION | YOUR FORMATION (OFFENSIVE) | YOUR FORMATION (NEUTRAL) | YOUR FORMATION (DEFENSIVE) |
|---|---|---|---|---|
| 1 | 3N-5-2 F | 3-1-3N-2W-1 | 4-3N-2W-1 | 3-2-2-2-1 B |
| 2 | 3W-5-2 F | 3-1-3N-2N-1 | 4-5-1 V | 3-2-2-2-1 B |
| 3 | 3N-5-1-1 | 3-1-3N-1-2 | 4-1-2-1-2 ND | 3N-2W-2N-1-2 |
| 4 | 3W-5-1-1 | 3-1-3N-2W-1 | 4-1-2-1-2 ND | 3N-2W-2N-1-2 |
| 5 | 3W-4-3 | 3-5-2 V | 4-2-2-2 H | 3N-2W-3N-2 |
| 6 | 3N-4-3 | 3-5-2 F | 4-3N-2W-1, 4-4-2 C | 5-4-1 F |
| 7 | 3W-1-4-2 | 3-4-1-2 | 4-1-2-1-2 ND | 3N-2W-2N-1-2 |
| 8 | 3W-1-4-1-1 | 3-5-2 V | 4-5-1 V | 3-2-2-2-1 B |
| 9 | 3N-1-4-2 | 3-5-1-1 V | 4-5-1 V | 3-2-2-2-1 B |
| 10 | 3N-5-2 V | 3-1-3N-3 | 4-3N-2W-1, 4-2-2-2 H | 3-2-2-2-1 B |
| 11 | 3W-5-2 V | 3-1-3N-1-2 | 4-2-2-2 H, 4-3N-1-2 | 3-2-2-2-1 B |
| 12 | 3W-2N-3W-2 | 3W-5-2 F | 4-4-2 C | 5-4-1 F |
| 13 | 3N-2(DMC/MC)-3W-2 | 3-1-4-2 | 4-1-2-1-2 ND, 4-4-2 | 3-2-2-2-1 B |
| 14 | 3W-2(DMC/MC)-3W-2 | 3-1-4-2 | 4-4-2, 4-3-3 | 3-2-2-2-1 B |
| 15 | 3N-3(DMC/MC)-2W-2 | 3-1-3N-2W-1 | 4-3N-2W-1 | 3-2-2-2-1 B |
| 16 | 3W-2-3W-1-1 ML | 3N-1-4-2 | 4-5-1 V | 3-2-2-2-1 B |
| 17 | 3W-2N-2W-1-2 | 3W-5-2 V | 4-5-1 V | 3-2-2-2-1 B |
| 18 | 3W-2N-2N-2W-1 | 3-4-1-2 | 4-4-2 C | 3N-2W-3N-2 |
| 19 | 3N-2N-1-2W-2 | 3-1-3W-1-2 | 4-4-2 C | 3-2-2-2-1 B |
| 20 | 3N-1-2-1-3 | 3-1-3N-1-2 | 4-1-3N-2, 4-5-1 V | 3W-3N-3W-1 |
| 21 | 3W-1-5-1 | 3-3N-3W-1 | 4-3N-2W-1 | 3-2-2-2-1 B |
| 22 | 3W-1-3W-2N-1 | 3-5-2 V | 4-5-1 V | 3-2-2-2-1 B |
| 23 | 3N-1-3W-2N-1 | 3-5-1-1 V | 4-5-1 V | 3-2-2-2-1 B |
| 24 | 3W-1-3W-1-2 | 3N-5-2 F | 4-4-2 C | 3-2N-3-1-1 ET |
| 25 | 3N-1-3W-1-2 D | 3-5-1-1 V | 4-5-1 V, 4-4-2, 4-1-2W-1-2 | 3N-3W-2N-1-1 |
| 26 | 3N-1-4-1-1 | 3-1-3-1-2 | 4-1-2-1-2 ND | 5-3-2 F |
| 27 | 3W-1-3N-1-2 | 3-5-2 V | 4-5-1 V | 3-2-2-2-1 B |
| 28 | 3N-4-1-2 | 3-1-3N-2W-1 | 4-1-2-1-2 ND | 3N-2W-2N-1-2 |
| 29 | 3W-4-1-2 | 3-1-3N-1-2 | 4-1-2-1-2 ND | 3N-2W-2N-1-2 |
| SL NO | OPPONENT’S FORMATION | YOUR FORMATION (OFFENSIVE) | YOUR FORMATION (NEUTRAL) | YOUR FORMATION (DEFENSIVE) |
|---|---|---|---|---|
| 1 | 4-5-1 F | 3-5-2 F, 3-5-2 V | 4-1-4-1 | 3N-2W-3N-1-1 |
| 2 | 4-5-1 V | 3-3-1-3, 3W-1-2-3W-1 | 4-3N-3, 4-3N-2W-1 | 3N-2W-3N-2 |
| 3 | 4-4-2 C | 3N-4-1-2 | 4-3W-1-2 | 3-2-2-2-1 B |
| 4 | 4-1(DMC)-2-3 | 3-1-4-2 | 4-1-4-1 | 5-3N-2 |
| 5 | 4-1-2-1-2 ND | 3N-5-2 V | 4-5-1 V | 3N-3W-2-1-1 |
| 6 | 4-1-2-1-2 WD | 3-5-2 F | 4-3W-1-2 | 3N-2W-3N-1-1 |
| 7 | 4-1-2-2(AMC)-1 | 3W-2N-1-3W-1 | 4-2(DMC)-2-2 H | 3W-2N-3W-1-1 |
| 8 | 4-1-1-2W-2 | 3N-2N-1-2W-2 | 4-2-3-1 | 3N-3W-2-2 |
| 9 | 4-1-1-2N-2 | 3W-2N-2-2W-1 | 4-5-1 V | 4-3W-2(MC)-1 |
| 10 | 4-2N-1-2N-1 | 3N-1-4-1-1 | 4-1-3-2 | 3W-2N-3N-1-1 |
| 11 | 4-2N-1-2W-1 | 3W-1-4-1-1 | 4-4-2 C | 5-2-2(AML-AMR)-1 |
| 12 | 4-3W-3 | 3-5-1-1 V | 4-5-1 V, 4-4-2 C | 5-4-1 F |
| 13 | 4-3N-3 | 3-4-1-2 | 4-1-4-1 | 5-3N-2 |
| 14 | 4-1-3N-2 | 3-1-3N-2W-1 | 4-3N-2W-1 | 3-2-2-2-1 B |
| 15 | 4-1-3N-1-1 | 3N-5-2 V | 4-5-1 V | 3N-3W-2-1-1 |
| 16 | 4-1-3W-2 | 3-1-4-2 | 4-5-1 V, 4-4-2 C | 3-2-2-2-1 B |
| 17 | 4-1-3W-1-1 | 3-1-4-1-1 | 4-4-1-1 | 5-1(DMC)-2-2 |
| 18 | 4-2(DMC)-3W-1 | 3-1-3-2W-1 | 4-1-4-1 | 3-2-2-2-1 B |
| 19 | 4-2-3N(AMC)-1 | 3-1-4-2 | 4-4-2 C | 3W-2N-3W-1-1, 3W-2N-3W-2 |
| 20 | 4-2-3W-1 | 3-1-3W-1-2 | 4-4-2 C | 5-3W-2 |
| 21 | 4-3N-1-2 | 3-1-3N-2W-1 | 4-3N-2W-1, 4-5-1 V | 3-2-2-2-1 B |
| 22 | 4-3W-1-2 | 3N-1-4-2 | 4-1-4-1 | 3-2-3-1-1 |
| 23 | 4-3W-2N-1 XT | 3-1-5-1 | 4-5-1 F | 3W-2N)-3N-1-1 ET |
| 24 | 4-3N-2N-1 | 3-1-4-1-1 | 4-1-3W-1-1 | 3W-2N-3W-1-1 ML |
| 25 | 4-3N-2W-1 | 3-1-4-1-1 | 4-4-1-1 | 3N-2W-3N-1-1 |
| 26 | 4-2-2-2 H | 3N-4-3, 3N-4-1-2 | 4-5-1 V | 3-2-2-2-1 B |
| 27 | 4-1(DMC)-2(MC)-3 | 3-1-4-1-1 | 4-1-4-1 | 5-1-3N-1 |
| 28 | 4-1-2(AMC)-3 | 3-1-4-2 | 4-1-3W-2 | 5-1-3W-1 |
| 29 | 4-2-1-3 | 3-1-3N-2W-1 | 4-3N-2W-1, 4-5-1 V | 3-2-2-2-1 B |
| 30 | 4-1-4-1 | 3-5-2 V | 4-3N-2W-1, 4-5-1 V | 3-2-2-2-1 B |
| 31 | 4-4-1-1 | 3-5-2 F | 4-5-1 V | 3W-2N-3W-1-1 |
| SL NO | OPPONENT’S FORMATION | YOUR FORMATION (OFFENSIVE) | YOUR FORMATION (NEUTRAL) | YOUR FORMATION (DEFENSIVE) |
|---|---|---|---|---|
| 1 | 5-4-1 F | 3-5-2 Flat | 4-4-2 C | 3W-3N-3W-1 |
| 2 | 5-3N-2 | 3N-4-1-2 | 4-4-2 C | 3N-3W-2-2 |
| 3 | 5-3W-2 | 3N-4-1-2 | 4-4-2 C | 3N-2W-3W-1-1 |
| 4 | 5-1-3N-1 | 3N-5-2 V | 4-1-3-1-1 | 3N-3W-3W-1 |
| 5 | 5-1-3W-1 | 3N-5-2 V | 4-5-1 F | 3N-2W-3W-2 |
| 6 | 5-1-2N-1-1 | 3N-5-2 V | 4-1-3-2 | 3N-2W-2N-2W-1 |
| 7 | 5-1-2W-1-1 | 3N-5-2 V | 4-1-3-2 | 3N-2W-2N-2W-1 |
| 8 | 5-2-2W-1 | 3W-1-2-3W-1 | 4-4-2 C | 3N-2W-3N-2 |
| 9 | 5-2W-2N-1 | 3W-2-2W-1-2 | 4-2-2-2 H | 3W-2-3W-1-1 |
| 10 | 5-2-2N-1 | 3N-1-3W-1-2, 3N-1-3W-3 | 4-2-2-1-1 | 3W-2-3W-2 |
| 11 | 5-2-1-2 | 3N-1-4-2 | 4-1-2N-1-2 | 3N-3W-2-1-1 |
| 12 | 5-1-1-1-2 | 3N-1-3W-1-2 | 4-3N-3 F, 4-2-2-2 H | 3N-2W-2N-1-2 |
| 13 | 3N-2W-3N-2 | 3-5-2 F | 4-5-1 F, 4-1-2-1-2 ND | 5-4-1 F |
| 14 | 3N-2W-2-1-2 | 3-4-1-2 | 4-4-2, 4-1-2-1-2 ND | 3W-3N-3W-1 |
| 15 | 3-2-2-2-1 B | 3-4-1-2 | 4-2-2-2, 4-3N-2W-1 | 3N-3W-2N-1-1 |
How to Beat
4-4-2 Classic Formation
ST-ST
ML-MC-MC-MR
DL-DC-DC-DR
4-4-2 is one of the balance and common formation in Football, which is strong in midfield and width as well. But its midfield is not as much strong as its width. So, 4-1-2-1-2 Narrow Diamond can counter this formation.
ST-ST
AMC
MC-MC
DMC
DL-DC-DC-DR
Team Mentality: Attacking
Focus Pass: Through the Middle
Passing Style: Short pass
Force Counter-Attacks: OFF
Marking Style: Zonal
Play Offside Trap: OFF
How to Beat
4-1-2-1-2 Narrow Diamond
ST-ST
AMC
MC-MC
DMC
DL-DC-DC-DR
4-1-2-1-2 Narrow Diamond is an attacking formation through the middle, so its both flanks are weaker therefore we can attack this formation through both flanks. So, 3-1-2-2-2 can counter this formation.
ST-ST
AML-AMR
MC-MC
DMC
DC-DC-DC
Team Mentality: Attacking
Focus Pass: Through both flanks
Passing Style: Mixed passes
Force Counter-Attacks: No
Pressing Style: High press
Play Offside Trap: OFF
Tackling: Normal
Marking Style: Zonal
***Forward attacking arrow to AML and AMR***
ST
AML-AMR
MC-MC
DMC
DL-DC-DC-DR
Team Mentality: Defensive
Focus Pass: Through both flanks
Passing Style: Mixed passes
Force Counter-Attacks: No
Pressing Style: Low press
Play Offside Trap: ON
Tackling: Normal
Marking Style: Zonal
***Forward attacking arrow to AML and AMR***
How to Beat
4-1-2-2-1 V-Style
ST
AML-AMR
MC-MC
DMC
DL-DC-DC-DR
Team Mentality: Defensive/Hard Defensive
Focus Pass: Mixed/Middle
Passing Style: Mixed/Long
Force Counter-Attacks: ON
Pressing Style: HIGH
Tackling Style: Normal
Marking Style: Zonal
Play Offside Trap: OFF
ST-ST
AML-AMR
MC-MC
DL-DC-DC-DR
Team Mentality: Normal
Focus Pass: Down Both Flanks
Passing Style: Mixed
Force Counter-Attacks: ON
Pressing Style: LOW
Tackling Style: Normal
Marking Style: Zonal
Play Offside Trap: OFF
***Forward Arrow to (DL,DR,AML,AMR)***
AML-AMC-AMR
MC-MC
DMC-DMC
DL-DC-DR
***Forward Arrow to (Both MC,AMC,AML,AMR)***
***Backward Arrow to (Both DMC)***
Team Mentality: Hard Defending
Focus Pass: Mixed
Passing Style: Long
Force Counter-Attacks: OFF
Pressing Style: LOW
Tackling Style: Easy
Marking Style: Zonal
Play Offside Trap: ON
#Use this Tactics if your squad is weaker than the opponent
ST-ST
ML-MC-MC-MR
DL-DC-DC-DR
Team Mentality: Normal
Focus Pass: Down Both Flanks
Passing Style: Short
Force Counter-Attacks: ON
Pressing Style: LOW
Tackling Style: Easy
Marking Style: Zonal
Play Offside Trap: ON
How to Beat
4-2-3-1
ST
AML-AMC-AMR
MC-MC
DL-DC-DC-DR
ST
ML- MC-MC-MR
DL-DC-DC-DC-DR
***Defensive arrow to 3DC, ML and MR***
Team Mentality: Defensive Mentality
Focus Pass: Through both flanks
Passing Style: Long
Force Counter-Attacks: ON
Pressing Style: Low press
Play Offside Trap: OFF
Marking Style: Zonal
Tackling Style: Easy
AMC-AMC
ML- MC – MR
DMC -DMC
DL – DC – DR
Team Mentality: Hard Defence
Focus Pass: Down both flanks
Passing Style: Short
Force Counter-Attacks: OFF
Pressing Style: Low press
Play Offside Trap: ON
Marking Style: Zonal
Tackling Style: Hard
How to Beat
4-1-4-1
ST
ML-MC-MC-MR
DMC
DL-DC-DC-DR
ST
AML-AMR
MC-MC-MC
DL-DC-DC-DR
Team Mentality: Attacking
Focus Pass: Down Both Flanks
Passing Style: Long
Force Counter-Attacks: ON
Pressing Style: High
Tackling Style: Hard
Marking Style: Man-On-Man
Play Offside Trap: OFF
***Forward Arrow to (AML,AMR)***
How to Beat
4-3-1-2
ST-ST
AMC
MC-MC-MC
DL-DC-DC-DR
ST
AML-AMR
MC-MC-MC
DMC
DC-DC-DC
Team Mentality: Hard Attacking
Focus Pass: Through the Middle
Passing Style: Long
Force Counter-Attacks: Yes
Pressing Style: Low press
Play Offside Trap: OFF
Marking Style: Zonal
How to Beat
4-3-3
ST-ST-ST
MC-MC-MC
DL-DC-DC-DR
ST-ST
ML-MC-MC-MR
DMC
DC-DC-DC
Team Mentality: Defensive
Focus Pass: Mixed
Passing Style: Long
Force Counter-Attacks: Yes
Pressing Style: High
Tackling Style: Normal
Marking Style: Man-On-Man
Play Offside Trap: ON
How to Beat
4-1-2-2-1
ST
AMC-AMC
MC-MC
DMC
DL-DC-DC-DR
ST-ST
AML-AMC-AMR
DMC-DMC
DL-DC-DR
Team Mentality: Hard Defending
Focus Pass: Mixed
Passing Style: Long
Force Counter-Attacks: Yes
Pressing Style: Low press
Play Offside Trap: ON
Tackling Style: Normal
Marking Style: Zonal
***Defensive Arrow to Both DMC***
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Best Formations4-2-3-1(One of the most balance formation on top eleven Football Manager Game. By the help of this formation you can win any game even your opponent is stronger than you. This formation help you to score more goals even it is Counter Attacking formation.) View more for tactics.
Counter OpponentsHere I am going to provide you guys the “Top Eleven counter Formation with Tactics”. Following Red hilighted text is opponent formation and the green hilighted text is the formation that you should use to beat opponent.
Tips and TricksTraining tips, Token Tips, Formation Tips. youth academy tips & many more available here. Different player position need different training drills.
Here are the training tips for all individual players.
Tips and TricksLatest Top Eleven Redeem Code to get gifts like TOkens, Rest packs, Moral boost, Treatment packs.
Tips and TricksIn Top Eleven football Manager player’s playstyle defines an individual player’s playing style. There are different playing styles in the game such as Box-to-Box, Mezzala, Regista, False Wingers, Target Man, Full Back, Wing Back, Stopper, Sweeper keeper, Poacher, etc.
Facebook & YouTube Videos
DEMO: 001
DEMO: 002
DEMO: 003
DEMO: 004
Instagram Story & Videos
DEMO: 101
DEMO: 102
DEMO: 103
DEMO: 104
DEMO: 105
DEMO: 106
DEMO: 107
DEMO: 108
Step 1: Photo-> Select and Separate in a layer on Photoshop and save in PSD.
Step 2: Import in After Effects -> Import as (Composition-Retain layer size)
Step 3: Add Effect & Preset. (Fractal Noise) Add to Background Layer.
Factal Type-> Terrain
Noise Type-> Spline
Invert
key Frame-> Evolution -> 2X+0.0
Blending Mode-> Screen
Key Frame-> [Transform] Offset Turbulence -> 960, -2000
Dissort -> Corner Pin
Step 4: Cloud Shadow
Dublicate cloud Layer-> Facial Noise, Blending Noise=None
Toggle Switch -> Mode-> Multiply
Opacity -> Decrease
Particles
Solid Layer-3D
Text-3D -> Create shape from Text.
Text-> Content (Add) Stroke- Color & Size
Delete-> Text
Shape from Text- Fill Color=None/ Stroke=18px
(Add)-Trim path (end value=0) -> (end value=100)
-Rotate Tool.
Charge classic 3D to Ray 3D
Geometric option-> Extrude Depth->Extrude Depth (increase value)
Ctrl-Y – Solid Layer
-Circle shape layer-> Stroke (Color&Size)
Ellipse path –Copy (Ctrl-C)
New Shape Layer Small Circle (Stroke None & Fill Color)
Trim Path
After Effects Shortcut Keyboard Key
New Composition: Ctrl+N Composition Settings: Ctrl+K New Solid Layer: Ctrl+Y Solid Layer Settings: Ctrl+Shift+Y Full-screen any Panel: Place Mouse Cursor on any panel+~ Set Work Area “Start & End”: B & N Trim Time-line to work Area: Ctrl+Shift+X Add Footage/Image to Time-line: Ctrl+Alt+/ Fit Footage width to comp size: Ctrl+Alt+F Go to Next Keyframe: K Go to Previous Keyframe: J Go to 1 Frame ahead: PageUp or Ctrl+Right Arrow Go to 1 Frame Back: PageDown or Ctrl+Left Arrow Move Layer order Up or Down: Ctrl+Alt+UP Arrow or Down Arrow Shift Layer on Top or Bottom: Ctrl+Alt+UP Arrow or Down Arrow Toggle Hold Keyframe: Ctrl+Alt+Click or Press “H” Layer Start or End: “[” or “]” Trim Layer on the timeline: Alt+”[” or “]” Split layer: Ctrl+Shift+D Free Transformation Mask: Ctrl+T Precomposition: Ctrl+Shift+C Adjustment Layer: Ctrl+Alt+Y
